| In
our presentation of The best of the 2 Worlds,
rhizome represents a "second take", an approach to the
subterraneous geology of the model of communication that irrigates the
net.art community. |
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From
our point of view, it is not enough to try to understand the communicational
and creative processes through models set up by the Art-institution. It
is not a question of copying the model of the 'temporary exhibition' or
of 'art curatorship', nor of proposing a selection of the Top 10 newest
net.art works, or proposing a particular line of questioning or theme and
sounding out which works and artists best illustrate it. |
| It's
rather, as we understand it (in that what interests us is to display the
formal and linguistic specificity of net.art), a question of respecting
and adapting to this new communicative practice's own rules of public addressing,
of accepting them and proceeding in line with their own specific dynamics. |
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In
this sense, we don't present our rhizome as a "selection", but rather as
the effect and transversal result of an experiment in communication developed
according to the dynamics of the net.artistic community itself. In this
second take, our role has been restricted to listing (in the order in which
we received them) all the proposals that were sent to us spontaneously
by those who wished to do so, in response to our proposal to the net.community
regarding our intentions, concerns and interests. |
| We'd
like to believe that this (non)selection provides a way of looking at another
world, the undercurrent of communication that flows below and above any
hierarchisation of the nodes. A landscape among many other possible landscapes,
which is merely the effect and result of this multidirectional, rhizomatous
interaction, operated in the heart of the net.community itself. We believe
that therein lies its interest, and as such we offer it for display in
the public domain provided by the net. |
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to top
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As
it is -we hope- obvious, the title of this "section" is an explicit hommage
to Rhizome databases as well as to
the writtings of Deleuze-Guattari.
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